EDUARDO ANTON
EDUARDO ANTON
Visual Effects Compositor & Supervisor
TIMELINE
TIMELINE
2022-2023
UPLOAD S.3
AMAZON STUDIOS
Production Vfx Supervisor and On-Set Vfx Supervisor for the series. Worked on set for 4 months and 7 months in post production. The show is made of 8 episodes with 200 vfx shots each, with a wide range of effects, 3D creatures, 3D environments, 2D cartoon animation, set extensions, motion graphics etc.
Besides supervising vfx, the production of all the +400 graphics for the show was done by the vfx department.
2021
HUNTERS S.2
AMAZON STUDIOS
Acting as production Compositing Supervisor and on-set data wrangler for the show. Extensive period work based on 1977 New York with a focus on action scenes and set extensions.
RAYBAN STORIES
BRAND NEW SCHOOL
Supervising the promotional web content for Rayban’s new glasses, creating 3D beauty product renders, and overseeing the color/specs accuracy throughout the +40 different sunglasses models.
SNAPCHAT AR KEYNOTE
BRAND NEW SCHOOL
Working as the on-set supervisor and co-vfx supervisor. Modeling, animating, and compositing 3D Lego pieces with a 2D AR interface into live footage.
AT&T
BRAND NEW SCHOOL
Working as vfx compositor, using the provided 3D Maya scenes to merge each environment, adding my own 3d elements and effects using Blender and compositing it all in NukeX.
2020
FEBRUARY 2020 - SEPTEMBER 2020
UNDISCLOSED PROJECT
SWAYBOX STUDIOS
Working as Production Visual Effects Supervisor for a start-up in New Orleans, training crew and helping develop the studio’s pipeline.
JULY 2019 - JANUARY 2020
Tales from the LOOP s.1 - amazon
AMAZON
Working as Production Visual Effects Supervisor for Episode 6 and as Production Visual Effects compositing supervisor for all other episodes. Managing the in-house facility, guiding the in-house artists as well as reviewing, setting up a secure server to work parallel with Fox studio’s server, as well as hiring staff. Earned an Emmy Award Nomination for Outstanding Visual Effects in a Supporting Role.
2019
october 2018 - July 2019
stranger things s.3 - netflix
netflix
Working as an in-house compositor for the Duffer Brothers, creating the look of vfx elements (like the green acid canisters, or the look of the night skies) to then send to all vendors (Rodeo, MPC…) so they can replicate it throughout the show. Making Quality Control of shots from vendors and assisting them with pipeline issues or any vfx feedback.
2018
AUGUST - september
once upon a job - Exxon
GENTLEMAN SCHOLAR
From camera projections to set extensions to full CG shots, see the full breakdown clicking on this “ watch” link.
JUne - july
never hold back - lexus
TIMBER
Composited this entire commercial along with compositor Michael Loney in a 8-day timeline, with CG set extensions, light effects, and vehicle modifications.
EPIC BATTLE - COX COMMUNICATIONS
TIMBER
Composited this entire commercial along with compositor Michael Loney in a 5-day timeline, with set extensions, matte paintings, CG crowd/army extensions, fire & smoke elements, and green screen footage.
MAY - JUNE
"EQUALIZER II" 2019
ZERO VFX
Creating environments like tornadoes, thunder and lightning, heavy storm skies and rain, weapon explosions (grenades, smoke…) green screen replacements, and set extensions.
november 2017 - MARCH 2018
"TOMB RAIDER" 2018
Scanline
Compositing CG character replacements for main talent as well as water simulations and different elements ( planes, trees, waterfalls) creating realistic fully CG shots.
"BLACK PANTHER" 2018
Scanline
Compositing water simulations and green screen footage for all waterfall fighting sequences in this feature, all plate water was replaced by CG water as well as crowd sim and full BG replacements based on 3D camera track projections.
2017
September - november
"WONDER PARK" 2019
Paramount Animation Studios
Compositing fully CG animated shots partially lit or with lighting built entirely through comp using depth, deep, and xyz passes while overseeing consistency throughout shots.
August - September
ESPN college football - ESPN
Psyop
Compositing stop motion shots replacing BG with 3D tracked stadium, retiming animations and matching every team's color palette to its official color. Merging multiple assets matching timing and lighting as well as adding 2D assets to complement the stop motion.
JUNE - JULY
"Loyalty" ft. Rihanna
Timber
BG replacements using delicate keying on hair, beauty work, light reflections in cars generated with 3D projections, CG sharks and multiple buildings and elements tracked in.
FEBRUARY - JUNE
"spiderman homecoming" 2017
Sony Pictures
Highly complex wire removals, CG suit clean up, 3D assets (lamps, tables...) generated, tracked and comped, BG extensions, multiple explosions, and light effects incorporated.
JANUARY - FEBRUARY
JUSTIN BIEBER - T-MOBILE SUPERBOWL
TIMBER
Multiple green screen shots cleaned and incorporated in bright white background matching color, scale, and timing, all within an extremely fast turnaround.
H&R BLOCK SUPERBOWL - H&R BLOCK
TIMBER
Multiple rigs attached to main white box cleaned up, color and light corrections for shot consistency, sharpening and cleaning edges of big box for a cleaner look.
BUICK SUPERBOWL - BUICK
TIMBER
Compositing different characters in the same shot, beauty work on vehicles, matching the official color of team uniforms.
2016
SEPTEMBER - DECEMBER
"SILENCE" 2016
POST MANGO
Extensive work on skin and bodies to reproduce burning, bleeding, bruising, etc. different replacements of logos and banners on textured surfaces, set extensions with hand-painted assets, fog and rain atmosphere procedurally generated through nuke.
MAY - SEPTEMBER
"CAN'T STOP THE FEELING" BY JUSTIN TIMBERLAKE
TIMBER
Monitor replacements, color treatment for "instagram" filter look, rig clean-ups, light interactions integrated, CG characters retimed, cleaned up and integrated into monitors.
"PHOENIX" BY OLIVIA HOLT
TIMBER
2D assets generated in Adobe Flash and 3D assets from Maya integrated with 3D tracking, light interactions and retiming of assets, beauty work.
"DARK NECESSITIES" BY RED HOT CHILI PEPPERS
TIMBER
Set extensions, retiming artifacts clean up, beauty work, multiple logo removal, extremely quick turnaround.
JANUARY - MAY
STAR TREK BEYOND 2016
BAD ROBOT
CG ships integrated, gun shots generated with light interactions, set extension and Bg replacement with no green screen, explosion, smoke and fire procedurals integrated.
"10 CLOVERFIELD LANE" 2016
BAD ROBOT
Multiple CG assets lit and integrated on green screen replaced backgrounds,. Rain, smoke and fire elements 2D generated and interacting with CG assets.
2015
OCTOBER - DECEMBER
"STAR WARS EPISODE VII" 2015
BAD ROBOT
Varied compositing work including CG asset integration, 2D fire, smoke, rain, gun shot and other elements integrated, BG extensions, retiming clean ups, rig removals.